الدوريات والمجلات الأكاديمية
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Item Myth And Truth In Cormac Mccarthy’s Southern Narratives: Reframing The Portrayal Of Landscape, Society And Humanity(des archives - Actualités des archives - Faculté des sciences humaines, Université Al-Jair, 2 Abou Al-Qasim Saad Allah, 2023-12-21) Houamdi DjamilaCormac McCarthy’s novels share a common concern with humanity. They almost hinge entirely on its dark side thriving upon extremes, (common) abnormalities and cloaked reality. They also probe into ethical dilemmas and national myths while deploying a style that—in all its richness—does not waver away from poignancy and solemnness. Particularly, his Southern works explore of cultural myths in an attempt to revise prevailing visions. By exposing the horrors of the past and how they survive into the present, The Orchard Keeper (1965), Child of God (1973) and Suttree (1979) unveil the failure of white American civilization with its nurturing of violent, egoistic, and supremacist myths. The narratives focus on social outcast who abandon society and seem to find no refuge in a decaying nature. Hence, the analyses show that their moral struggles, which result from foundational southern myths, represent a deeper reality within southern culture and carry universal significance.Item Dead No Longer(Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah, 2021-12-31) Hadji, Faiza Fatma ZohraIn a traditional sense, subjectivity in literature is the equivalent of creating the protagonist’s psychological realm. On the one hand, Realist authors favor the creation of round characters that are considered a mirror to reality. On the other hand, the modernists use language as a structure through which they depict a character’s inner world. However, the postmodern consensus negates such conceptualizations of a humanistic subject. Indeed, postmodern literary production, informed by poststructuralist critiques such as Derrida and Barthes, believe in the de-centered subject and the death of the author. In line with their oppositional stance against all monolithic human constructs, namely Essentialism and Universalism, Postmodern authors create anti-humanist subjects. That is to say, the human as character is no longer the center of a work of art. The contemporary scene, however, is frustrated with the postmodern perspective on subjectivity and strives to re-humanize the subject in literature. As Quentin Kraft points out, in the postmodern quest to deconstruct all dogmatic views of the world, it has robbed the individual of all constructive tools, including those used to create a meaningful sense of self. In her study of the contemporary endeavor to forge a new sense of self beyond postmodern thought, Nicole Timmer diagnoses three main issues faced by characters on such a quest. For one, the central characters in the novels she analyzes face a paralysis of choice, in that, they are unable to choose a particular identity in a world that presents them with a myriad of possible personalities. Furthermore, these characters are incapable of naming and appropriating their feelings, despite feeling them. Consequently, these characters are in need of human connection, in order to gain understanding of their feelings. Thus, this paper proposes to read Paul Auster’s novel Man in the Dark in light of Timmer’s main questions, how does the novel’s main character choose an identity from those he is presented with? How is he able to make sense of his feelings? And how can he relate or connect to others?Item ظاهرة الانزياح ودلالاتها في أشعار عبدالعزيز المقالح(مجلة المفكر-جامعة الجزائر2-أبو القاسم سعد الله-, 2020-12-30) خضری, علیتعد الوظيفة الأدبيّة من أهمّ وظائف اللّغة، لما لها من تأثير عظيم في تخليد قيم الأمم ومآثرها الفكرية. لقد تمّت دراسات عدّة حول وظيفة اللّغة الأدبيّة بحيث أدّت هذه الدراسات في نهاية المطاف إلى تشكيل ظاهرة "الانزياح" في الأدب. ظاهرة الانزياح من أهمّ إنجازات النظريات النقدية الحديثة في مجال علم اللغة، والشكلانيون الروس هم أوّل من تطرّقوا إلى ذلك من خلال تركيزهم القائم على مسألة البنية والشكل النصّي. تُعتبَر هذه الظاهرة من أبرز التقنيات الفنيّة التي تساعد الناقد علی استجلاء النصوص واستظهارها. الانزياح الأدبي أو العدول يتشكّل إثر تحوّل اللغة عن شكلها المألوف ويمكن لهذه التحوّلات أن توظّف في مختلف مستويات اللّغة. عبدالعزيز المقالح، الشاعر اليمني تخطّی قواعد اللغة المألوفة بسبب نزعاته الحداثية وأهدافه المختلفة من تجربته الشعرية. تطرّق هذه الدراسة من خلال المنهج الوصفي –التحليلي إلى دراسة أشعار المقالح على ضوء المدرسة الشكلانيّة وظاهرة الانزياح في الشعر العربي المعاصر إلى جانب الخوض في الجوانب الجماليّة لنتاجه الشعري. وقد تبيّن لنا من خلال نتائج البحث بأنّ الشاعر استخدم الاستعارة المکنيّة وتراسل الحواس بکثافة حتی يتمکّن من أن يصبّ الصور المنشودة في إطار جديد فضلاً عن الجانب الجمالي للنص. نضوجه الفنّي واتّساع خياله الشعري يدلّان علی ما في شعره من نزعة تأمليّة. One of the most important functions of language is its literary function which has a significant irrefutable role in eternizing one nation’s values and ideas. The language literary function has been studied so much and it went that far which eventually resulted in a new phenomenon called “deviation”. deviation is one of prominent consequences of new criticism theories in linguistics and first time was developed in Russian formalism by whom who paid attention to textual shape and structure.This phenomenon is the most basic technique of de familiarization by which we can signalize and perpetuate literary texts. Actually, deviation is formed because of reference language transformation and it may be applied in different lingual levels. Following his modernism desire and various goals he had in his poems, Abdul-Aziz maqaleh, the contemporary yemanei poet, has violated from reference language.Using an analytic-descriptive method and exploring the electronic and library references, the recent work has attempted to investigate maqaleh works, to review formalism and deviation in the contemporary Arabic poems and to know maqaleh rhymes aesthetically. Our poet has exploited Implicit metaphor, not only to enhance the beauty of his poems but also to express images he means in a new cats