الدوريات والمجلات الأكاديمية
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Item Dead No Longer(Faculté des Langues Etrangères. Université d'Alger 2 Abu al-Qasim Saadallah, 2021-12-31) Hadji, Faiza Fatma ZohraIn a traditional sense, subjectivity in literature is the equivalent of creating the protagonist’s psychological realm. On the one hand, Realist authors favor the creation of round characters that are considered a mirror to reality. On the other hand, the modernists use language as a structure through which they depict a character’s inner world. However, the postmodern consensus negates such conceptualizations of a humanistic subject. Indeed, postmodern literary production, informed by poststructuralist critiques such as Derrida and Barthes, believe in the de-centered subject and the death of the author. In line with their oppositional stance against all monolithic human constructs, namely Essentialism and Universalism, Postmodern authors create anti-humanist subjects. That is to say, the human as character is no longer the center of a work of art. The contemporary scene, however, is frustrated with the postmodern perspective on subjectivity and strives to re-humanize the subject in literature. As Quentin Kraft points out, in the postmodern quest to deconstruct all dogmatic views of the world, it has robbed the individual of all constructive tools, including those used to create a meaningful sense of self. In her study of the contemporary endeavor to forge a new sense of self beyond postmodern thought, Nicole Timmer diagnoses three main issues faced by characters on such a quest. For one, the central characters in the novels she analyzes face a paralysis of choice, in that, they are unable to choose a particular identity in a world that presents them with a myriad of possible personalities. Furthermore, these characters are incapable of naming and appropriating their feelings, despite feeling them. Consequently, these characters are in need of human connection, in order to gain understanding of their feelings. Thus, this paper proposes to read Paul Auster’s novel Man in the Dark in light of Timmer’s main questions, how does the novel’s main character choose an identity from those he is presented with? How is he able to make sense of his feelings? And how can he relate or connect to others?Item بعد مابعد الحداثة عند ايشلمان دراسة في الادائية بوصفها مشروع استعادة الأنسان(مجلة المفكر-جامعة الجزائر2-أبو القاسم سعد الله-, 2021-06-22) المحمداوي, م.م علي حميدملخص تعد مسألة الحداثة من المواضيع التي أخذت صدها، بالنسبة للكتاب والمفكرين الغربين وغير الغربين، وخاصة فيما يتعلق بالانسان بعده مصدر الحداثة من الناحية الفكرية، وبوصفه واحد من ادواتها في مسيرتها التطورية، وصولا الى مرحلة كونه ضحية من ضحايها باثر انعكاس نتجاتها المادية، ومنها تذويب الفرد في الكليات الشمولية، التي افرزت لنا صناعات الاسلحة وتطوير ادوتها التدميرية، وكذلك الاثار الناجمة عن فقدانه الخصوصية عبر فضاءات الحداثة الافتراضية، في قبال افول الفضاءات العمومية، والتي ادت الى تشيء الانسان لابل تحويل دوره الى اجزاء مكملة من الالية الصناعية، وانزوائه في فضاءات الانتاج الالي، فضلا عن كونه افضل مستهلك لمخرجات الالة، التي ادت الى تحويل ذلك الانسان الى مجموعة من النفايات البشرية، بعد ان كان هو مركز الحداثة من حيث عقلنيتها ، وبالتالي فقد الانسان الاداء من خلال غياب الفعل واي فعل او نشاط، وخاصة من جانبه السياسي والاجتماعي، وهنا نلاحظ محاولات الانسان لمقاومة هذه الاثار الجانبية للحداثة ومابعدها من خلال المشاريع الفكرية المناهضة لاستعباد الانسان، وفق مفهوم اليات الحداثة السياسي، ومحولة استعادته عبر افكار، استعادة فعالياته الادائية وبتالي استعادة دوره كفاعل، وبداية بعد مابعد الحداثة عبر الادائية. The issue of modernity is one of the topics that has been repelled by Western and non-Western writers and thinkers, especially with regard to man, after him the source of modernity from the intellectual point of view, and as one of its tools in its evolutionary path, to the stage of being victimized by its victims, In the totalitarian colleges, which produced the weapons industries and the development of destructive tools, as well as the effects of the loss of privacy through the spaces of modernity of virtual, in the vicinity of the disappearance of public spaces, which led to the human turn to turn his role into parts complementary to the industrial machinery, As well as being the best consumer of the machine's output, which led to the transformation of that human into a group of human waste, after it was the center of modernity in terms of rationality, and thus loss of human performance through the absence of action and any action or activity, especially Political and social, and here we note human attempts to resist these side effects of modernity and beyond through intellectual projects against the enslavement of man, according to the concept of political modernity mechanisms, and converted to restore ideas through the restoration of its performance and the restoration of its role as an actor, and the beginning after postmodernity through the performance.