مطبوعات التأهيل
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Item Cinematic Drama Scene in TV Series Selected Scenes from The Syrian Series "Al'Nadam "(جماليات -جامعة ابو القاسم سعد الله الجزائر 2, 2021-06-30) عبد العزيز ايت عبد القادرThis article aims to shed light on the most important mechanisms that make television drama as a serie movie that are subject to all the rules on which the cinema is based by focusing on the tools of analyzing the audiovisual material by adopting repeated scientific viewing, and accordingly we have extracted a set of cases as performance references that were exploited by The director, in order to achieve the aesthetic of the cinematic image in his dramatic work, based on the principle of the balance of aesthetic representation in the structure of the cinematic show.Item Estudio de los personajes míticos, exóticos y sobrenaturales en las leyendas orientales de Gustavo Adolfo Bécquer(ALTRALANG Journal -University of Algiers 2 - Abou EL Kacem Saâdallah, 2023-06-10) ايت موهاب ساميةThis article aims to shed light on different crossings, interferences, interculturalities and considerable literary evolution between East and West, that was inherited from remote times creating an influence which look like a pearl necklace where the first pearl complete the next one. Spanish literature has always been inspired by traditional oriental Arabic poetry such as the Qasidah, located in the Andalusian historical past that had its roots in the pre-Islamic Arabic literature of the Jahiliya. In order for this influence to be justified, we have focused on the legends of Gustavo Adolfo Bécquer, from Seville author inspired by Eastern mythology, especially Arabic and Hindu that he adopted, thanks to his readings of authors such as Conde de Noroña (1760-1816). Famous with his book Asiatic Poems (1833) that opened the taste for what is exotic and for what is oriental. That romanticists like Bécquer used to feed their imaginations creating legendary, exotic, supernatural and, above all, mythical characters from Arab and Hindu mythology, creating, in this way, simultaneously a great diversity and richness of themes nourished by traditions and distant beliefs.Item الجغرافيا اللغوية موجهة لطلبة السنة الاولى ماستر(Algiers 2 university Abou el kacem saadallah جامعة الجزائر2 ابوقاسم سعد الله, 2023) معمري, جميلةتتركز المقاربة الإبستمولوجية لعلم اللغة الجغرافي حول رصد الخارطة الألسنية للعالم وتوزيع اللهجات البشرية مكانياً، مع تحليل دقيق لعدد المتكلمين بها وأنماط عيشهم وسياقات استخدامها الوظيفية. ولا يكتفي هذا العلم بالوصف الجغرافي الصرف، بل يمتد لبحث احتمالات الاستفادة من اللغات وأهميتها الإستراتيجية والاقتصادية والسياسية، فضلاً عن دراسة صراع اللغات ومجالات النفوذ اللغوي بين اللغات الوطنية والاستعمارية. ومن أبرز مجالاته تحليل اللغات الناشئة عن الهجرة والتجنيس، وظواهر الإحلال والتعايش اللغوي، مع تتبع التعدد اللهجي الذي يكشف عن الفروق الصوتية والدقيقة بين البيئات المختلفة. كما يرتكز العلم على تصميم الخرائط اللغوية المتخصصة في رصد بنية المفردات ومترادفاتها وانتشارها الإقليمي، مما يتيح تكوين رؤية شاملة للواقع اللغوي الإنساني وتفاعلاته المكانية. وتُوج هذه الجهود البحثية بإنتاج "الأطلس اللغوي" الذي يمثل الوثيقة البصرية الأهم لعرض اللغات واللهجات وفق مفاتيح خرائطية توضح نطاقات انتشار الظواهر الصوتية والدلالية بدقة متناهية. وفي سياق المجتمع الجزائري، يكتسي هذا العلم أهمية بالغة كونه يتعامل مع مجال جغرافي شاسع يتميز بتعدد لغوي ولهجي فريد، حيث يتداخل العربي بالأمازيغي في سياقات تاريخية واجتماعية بالغة التعقيد. وتبرز خصوصية الجزائر في كونها مختبراً حياً لملاحظة ظواهر الإحلال والتعايش اللغوي، خاصة في ظل الهجرات الداخلية التي أنتجت لهجات حضرية هجينة تجمع بين اللغات الأصيلة ومخلفات المرحلة الاستعمارية. Résumé : Le champ d'investigation de la géographie linguistique se définit par la cartographie des langues mondiales et la répartition spatiale des dialectes, tout en analysant le nombre de locuteurs, leurs modes de vie et leurs usages fonctionnels. Cette science dépasse la simple description pour explorer l'importance stratégique, économique et politique des langues, ainsi que les conflits et zones d'influence entre langues nationales et coloniales. Elle se focalise également sur les parlers issus de l'immigration, les phénomènes de substitution ou de coexistence, et la pluralité dialectale révélant les nuances phonétiques entre divers milieux. S'appuyant sur des cartes spécialisées recensant le vocabulaire et son expansion, elle aboutit à la création de « l'Atlas linguistique », document visuel clé précisant rigoureusement les aires de diffusion sémantiques et phonétiques. Dans le contexte algérien, cette discipline devient cruciale vu l'immensité d'un territoire marqué par une pluralité unique où l'arabe et le berbère s'entremêlent dans des contextes historiques complexes. L'Algérie s'impose ainsi comme un laboratoire vivant pour observer les dynamiques de coexistence linguistique et l'émergence de dialectes urbains hybrides nés des migrations internes, mêlant racines autochtones et vestiges coloniaux. Abstract : The scope of linguistic geography is defined by mapping the world's languages and the spatial distribution of dialects, while precisely analyzing speaker demographics, lifestyles, and functional contexts of use. This science transcends mere geographic description to explore the strategic, economic, and political significance of languages, alongside linguistic conflicts and spheres of influence between national and colonial tongues. It further focuses on languages emerging from migration and naturalization, phenomena of linguistic displacement or coexistence, and dialectal plurality that reveals fine phonetic nuances across different environments. By relying on specialized linguistic maps that track vocabulary structure and regional expansion, it culminates in the production of the "Linguistic Atlas," a key visual document that rigorously delineates the distribution of phonetic and semantic phenomena. Within the Algerian context, this discipline assumes vital importance, as it addresses a vast territory characterized by a unique linguistic and dialectal diversity where Arabic and Berber interweave through complex historical and social contexts. Algeria thus stands as a living laboratory for observing linguistic coexistence and the rise of hybrid urban dialects born from internal migration, blending indigenous roots with colonial vestiges.Item Music in the service of ideas: Algeria as seen by the French authorities and Algeria in Flames by René Vautier(2023-04-04) Tali, FaizaBeyond its social dimension and its power of emotion, music has issues of power and certain political logics can lead to its instrumentalization. The history of humanity gives evidence of music to music annexed by political regimes, but in addition all music holding identities and values that appeal to tolerance and resistance. The interest of this article concerns the political aim of the music in two documentary films of propaganda and counter-propaganda on Algeria in the colonial period: Algeria seen by the French authorities in 1958 | INA’s Archives, and Algeria in Flame by René Vautier. Both of these productions that represent two opposing political visions since one is favorable to the colonial occupation and the other refutes it. The idea is to discover how these two productions manage music as a narrative tool to reinforce the feeling of identity and convey a political discourse.Item LIBERARY translation in the age of new theories(2023-03-05) Ould yaou, FAZIAlibrery translation is a completely different kind from other types of translations such as legal.economic........etc in term of quality and quantityItem Des expressions et des sentiments sur des pavements dionysiaques de l’Algérie romaine(Research Article / Araştırma Makalesi, 2021-08) سراج; نجمةThe fgurative ancient mosaics often represent “living” paintings which depict mythological, historical or real personages who manage to express various feelings thanks to the ingenuity of the mosaic craftsmen. Indeed, the art of ancient mosaic has not ceased to evolve since the Hellenistic period in the direction of the translation of the emotions and feelings that give life to the myths and legends represented. The mosaics which decorated the ceremonial and reception rooms in luxurious domus did not only play an ornamental role, they entertained the guests, stimulated all their senses and provoked the exchange of conversations around the table. The Dionysian mosaics were particularly intended for this function because Dionysus is the god of the banquet! By admiring some of the many pavements of the Dionysian legend of Roman Algeria, one can detect the rendering of emotions and soak up an unreal and almost real atmosphere at the same time! ... This article is an invitation to discover a whole range of sometimes contradictory feelings that appear on mosaics; we will thus be able to see how the African mosaicists from the end of the 2nd to the 5th century A.D. used various methods to make their personages more expressive and alive.Item نظرة على مجتمع مجاز الصفاءاثناء الفترة القديمة من خلال الكتابات الاثرية.-دراسة تحليلية.(مجلة أبحاث, 2022-12-31) منصوري; فريدةThe North African region, and in particular the Medjez -Sfa area in the Wilaya of Guelma, was known by many civilizations because of its strategic location as a result of several conditions, including wars and trade exchanges, and this succession affected the social structure of the region and its religious belief. This research aims to enrich and protect the national archaeological heritage, in addition to revealing social and religious diversity, through the study of bibliographic and field data, as Medjez -Sfa is considered among the areas rich in ancient rural spaces that are part of the Numidian Kingdom region, and then part of The Roman as well as the Byzantine period, which left archaeological evidence of cultural and historical importance. During the bibliographic research process, we obtained important data, especially the scripts which were mentioned in some books and periodicals, however, during the archaeological survey that we carried out through multiple stages, we did not find many monuments and archaeological finds that are a significant witness to the various historical periods that passed in the region correspondingly to the settlement and activity of the ancient man in all the areas he inhabited.Item الفن الصخري بمنطقة افغلال الايديمير الغربية-الاهقار -الصحراء الوسطى.(مجلة انسنة للبحوث والدراسات, 2023) اوبراهم; جوهرThe article presents some stations rock art in Afaghlal west of the Immidir Algerian desert, which was surveyed during the field and academic work during the period between 2016/2017.Through this article we try to define human groups and their lifestyle, in order to contribute to the inventory of this material heritage which remains unknown and is subject to disappearance and extinction. We counted in it a group of shelters and rocks decorated with various inscriptions and drawings, show the region has known the influx of several human groups since prehistoric period, according to a living system based on grazing, nomadism, and the spread of wars and conflicts. The multiplicity of human groups in the region is evidence of the waves of migration that the central desert experienced, where some of them are likely to be local.Item الرواية الوبائية برفقة الرجال لفيرونيك تاجو-مساعدة ادبية متعددة المهام.(2022-06-02) محدب; عيسىPour ce qui est du contenu de cet article, nous nous proposons d'aborder essentiellement les différentes fonctions que peuvent remplir l’écriture de l’épidémie. Comme un corpus de référence, notre choix s'est porté vers le roman En compagnie des hommes de l’écrivaine franco-ivoirienne Véronique TADJO qui a accordé un intérêt particulier au sujet de l’épidémie. Quant à la démarche que nous adoptons dans cette réflexion, elle est de nature analytique fondée sur la contextualisation et l’interprétation qui devrait nous permettre de voir comment cette mise en fiction de l’épidémie se propose non seulement comme un nouveau témoignage, mais aussi, une forme de documentation didactique, une stratégie de résistance et un outil thérapeutique.Item علاقة الكتابة الليبية البربريةلمشاهد الفن الصخري-دراسة مقارنةفي الاصول والدلالات الرمزية.(مجلة المفكر, 2023-12) يفصح; ناديةThis study aims to introduce the relationship between Libyan Berber inscriptions and North African rock art scenes by analyzing and studying Libyan script and rock art separately, and comparing the results of each study. The historical roots of writing and its possibility of extending to rock art scenes. This research provides many results, the most prominent of which is that the various parts of Libyan Berber script, although with different letters, may appear in rock art scenes because they share the same style and achievement techniques. The geometric form accompanying rock art scenes may be simplified to the form of pre letter symbols, paving the way for the emergence of writing. Therefore, rock painting can be seen as pictorial writing